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PUBLICATIONS FOR CLARINET
Highlights of our catalog







Time for tone coverTIME FOR TONE by Eva Wasserman-Margolis. Exercises for Developing or Improving Your Clarinet Tone. (Eng., Fr., Ger., Sp., Jap.)

Designed for use by both progressing and advanced players, TIME FOR TONE is a regimen of long tone warm-up exercises designed to assist the player in the development of a beautiful clarinet tone. Many of the world's leading clarinetists have adopted this approach for their students.

"Eva Wasserman-Margolis has quickly established herself as a superb teacher and forward-thinking pedagog, both inside Israel and abroad. Her young students in the Tel Aviv area are some of the finest performers, in this age group, anywhere in the world. A great motivator, dedicated teacher and problem solver, Ms. Wasserman-Margolis has now published "Time for Tone" to help clarinetists with an ordered approach to the development of a better sound. I am pleased to recommend this book to players, teachers, and students as an adjunct to their regular practice materials." 

Howard Klug, Professor of Clarinet, Indiana University, Past-President,
International Clarinet Association
 
 

THE HEIFETZ COLLECTION
Baroque works arranged for clarinet by Eli Heifetz

Telemann Sonata coverTelemann Fantasies cover

The clarinetist Eli Heifetz has chosen works which lend themselves to the tonal potential of the clarinet. The Heifetz Collection enriches the musical literature of the clarinet with a number of exemplary works from the Baroque period. The works are recorded by Eli Heifetz and Idit Zvi under the title Heifetz Plays Baroque, ITM 95004.

The following titles have already appeared in this series:
 

  • Quantz, Fantasias, Capriccios
  • Telemann, Sonata in G Minor
  • Telemann, Three Fantasies


In preparation:
 

  • Bach, Sonata in G minor
  • Handel, Sonata in G minor
  • Marcello, Sonata in E minor


Six Progressive Pieces for Clarinet, by Robert Israel

This new publication includes six selections for beginning clarinetists, with accompaniments that may be played by students as well. The first three selections are written in a modal-oriental style, and the final three selections follow a more "Western" tonality. 

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